![]() ![]() If the stock library doesn't come with a timbre you need, you gotta go buy it rather than simply programming it. With Omnisphere you can do practically anything but it might take most people longer. Its easy to dial up a good sound that fits in a mix. One reason Nexus holds an edge is simplicity. (That's why you don't often see Omnisphere vs. 2) Omnisphere is like a ROMpler in that it often combines samples with synthesis, but the resulting sound is rarely like that of a ROMpler. For dance music, Id definitely hang onto Nexus. 1) Omnisphere is a synth, but it doesn't always create synth sounds using pure synthesis. and various Rycote windshields Other relevant tools: Google Nexus 7 and. Omnisphere and Nexus are very very different. ![]() At its most expensive, this works out to a maximum of $0.70 per preset, with less "fluff". Spitfire Albion I, Audiobro LA Scoring Strings, Spectrasonics Omnisphere. Let's assume that you like and regularly use only 100 of these 1000 presets (That's a reasonable expectation, probably a slight overestimation depending on the variety of genres you produce) - In this scenario you'd be paying a whopping $3 per preset.īy comparison, a "Premium" third-party preset library for a top-of-the-line synth (Z3TA+, Sylenth, Omnisphere, Massive, Absynth, Zebra, Alchemy) usually runs around $15-$35 for 50-75 presets. $299 isn't too expensive relative to some other music production tools, but extremely expensive for a ROMpler with only 1000 presets. They haven't poured any money into new development for about 8 years. ![]() I would presume that they earn some sort of royalty from Slayer, which is integrated into FL Studio. They do this by continuing to re-sell the same product lineup they have offered since around 2006. ReFX stays in business by making at least enough money to keep their site up-and-running. ![]()
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